Article

Cameras On: Why the Blank Square Is Costing Your Team More Than You Think

by Gary Worthington, More Than Monkeys

Picture the standup you were in this morning, or one close enough to it. Someone’s tile is a grey circle with their initials in the middle. “All good, no blockers,” they say, voice flat, half a beat too fast. Fine. Everyone moves on to the next name on the call.

I’ve sat in that exact meeting more times than I can count, and I’ve learned to distrust it. Not because people are lying — most of the time they genuinely believe “no blockers” when they say it — but because a huge amount of what’s actually going on with someone never makes it into the sentence at all. It shows up in the face, in the pause before the sentence starts, in the thing that isn’t quite said. And on audio, from a grey circle, none of that arrives.

I’ve been banging this drum for years and I’m not going to stop: cameras on, in the meetings that actually matter, is not a nice-to-have or a personality quirk of managers who like eye contact. It’s the difference between a team that communicates and one that’s just taking turns talking.

The blank square problem

Somewhere in the last few years, camera-off became the default setting for remote and hybrid work, and almost nobody chose it deliberately. It just accreted, meeting by meeting, until a standup full of grey initials-in-circles stopped looking strange and started looking normal.

The excuses are always reasonable-sounding in isolation. Bad hair day, Bad connection, Back-to-back calls and no energy left to perform being on camera for the fifth time before lunch. Each one is a fine reason for a one-off. Stacked across a whole team, across every standup, retro, and one-to-one, they add up to something else entirely; a working relationship conducted entirely through voice, where the only information anyone gets about how a colleague is actually doing is whatever they choose to say out loud, filtered, in real time, in front of everyone. Thats not how a good team works.

What your ears actually miss

Half of LinkedIn will tell you that ninety-three percent of communication is nonverbal, quoting Albert Mehrabian’s research from the 1960s as though it were standard reading in Management class. Mehrabian was measuring how people judge someone’s feelings about a single ambiguous word when tone and expression disagree with it — a narrow, specific experiment — and he spent decades afterwards, patiently correcting people who stretched it into a universal law of communication. He’s been ignored every time.

So I won’t give you a fake number. What I’ll give you instead is what actually happens when you take the picture away: you lose the continuous backchannel that lets a conversation self-correct while it’s happening. The slight frown when an estimate sounds wrong but nobody’s said so yet. The half-second hesitation before “yeah, that’s fine” that tells you it isn’t. The person leaning forward because they’ve spotted the flaw in your plan and are deciding whether it’s worth the fight to raise it.

None of that survives on audio. Audio gives you words, in order, after the speaker has already decided what to say. Video gives you the process of them deciding it, live, which is usually where the actually useful information lives.

The duller reason, which matters just as much

There’s a less philosophical case for cameras, and I’d argue it does more heavy lifting day to day than the emotional-intelligence version, precisely because it’s easier to admit to.

It’s a lot harder to answer email, load the dishwasher, or glance at the football scores (speaking of which, I am writing this on the evening of the Manchester Derby where Utd were robbed, but I digress), when your face is visible to seven other people who can see, at least intermittently, whether you’re actually there. Audio-only turns attention into an honour system, and honour systems get gamed the moment nobody’s watching. I’ve been on calls where someone answered a direct question a good ten seconds late because they’d genuinely wandered off mid-meeting, and the gap told you more than whatever they said once they got back.

People zoned out in physical meeting rooms long before video calls existed, to be fair. But a bored colleague in a meeting room still had to sit there looking like they were listening. Camera-off doesn’t even ask for that. It’s a small thing and it still works.

Standups aren’t status reports

A standup isn’t there to tell you what happened yesterday. That’s what the ticket board is for, and if your standup is genuinely just three sentences of “did this, doing that, no blockers” read off a screen, you don’t need a meeting — you need a Slack thread, and you should cancel the meeting and free up fifteen minutes a day for every person on the team.

The reason a synchronous standup earns its place on the calendar is that it’s supposed to catch the thing nobody would type into a ticket. The hesitation before “on track.” The wince when someone mentions the flaky test suite for the fourth day running. The person who says “no blockers” with their jaw set in a way that means there absolutely is one, they just haven’t decided whether it’s their fault yet.

Take away the camera and you’ve kept the worst part of the meeting — the scheduling overhead, the interruption to everyone’s morning — and thrown away the only part that justified having it live at all.

Retrospectives without faces are just surveys

Same argument, higher stakes. A retrospective works because a room full of people reacting to each other in real time surfaces disagreement that a written form never will. Someone proposes a process change; two people nod; one person’s face does something complicated that they haven’t put into words yet. A good facilitator catches that face and asks the question. A facilitator working from four names in a participant list and no video catches nothing, and the retro becomes what it looks like on paper: a survey with extra small talk.

I’ve sat in retros where the real disagreement in the room never got said aloud at all — it got read off two people’s faces by everyone else, correctly, and dealt with in the corridor afterwards instead of in the meeting where it belonged. That’s not ideal, but it’s a hundred times better than a retro where the disagreement existed and nobody in the room even knew.

The rule: if you can’t see the room, you’re not facilitating a conversation, you’re note-taking.

One-to-ones are where this matters most

Standups and retros are where cameras-off is a productivity problem. One-to-ones are where it’s a duty-of-care problem.

This is the kind of thing that only ever shows up on camera; someone sitting slightly further back than they used to, answering in shorter sentences, taking half a second longer than normal to smile at a joke that would usually land instantly. None of it is ticket-worthy. None of it would survive being typed into a status update. But a manager who’s actually looking at the person, rather than just listening to them, can catch it and ask the plain, direct question — not “how are you,” which gets you “fine” every time, but “you seem a bit further away lately, what’s going on” — while there’s still time to do something about the answer.

A manager running every one-to-one as an audio call because “it’s quicker without the video lag” doesn’t get that chance. The resignation, when it eventually comes, tends to get described as sudden. It rarely is, It’s just been travelling through a channel too narrow to carry it until the moment it’s already decided.

The rule: the whole point of a one-to-one is to catch what someone wouldn’t say in the group chat. You cannot catch what you cannot see.

The neurodiversity argument

This is the part I actually get pushback on, so I want to make the case carefully rather than just assert it.

However you explain the trend — better diagnosis, less stigma, more people simply naming what they’ve always experienced rather than masking it — a meaningfully larger share of the people you work with today are openly autistic, ADHD, dyslexic, or otherwise processing the world differently than the average corporate communication style assumes. That’s not a controversial claim; it’s the direction every workplace-disclosure survey has been moving for a decade.

What follows from that is not, as some people assume, “so definitely make everyone use cameras, it helps.” It’s more specific than that, and less comfortable.

Communication that relies on a single channel — tone of voice alone, carrying sarcasm, hedging, implied meaning, all the unspoken social software neurotypical communication runs on — asks a lot of anyone who processes language more literally or doesn’t reliably pick up on vocal subtext. A second channel, run in parallel, genuinely helps: a raised eyebrow doing the work that “I’m joking” would otherwise have to do out loud; a visible pause that signals “let me think” instead of being read as agreement. More information, delivered through more channels, at the same time, reduces the odds of a message landing wrong. That’s not a theory about neurodivergent communication specifically — it’s just how communication with any margin for misunderstanding works better.

But — and this is the part the LinkedIn thought-leadership posts always skip — video is not automatically comfortable for everyone it’s supposed to help. Sustained eye contact and watching your own face on a screen for an hour is a genuinely different cognitive load for some autistic people, not a preference, a load. I’m autistic myself, so this isn’t a secondhand observation. Masking already costs energy most colleagues never have to spend; forcing a camera on top of that isn’t inclusion, it’s an extra tax charged to exactly the people the policy was meant to support.

So here’s the honest position, not the tidy one: cameras-on as a team default is worth defending, because most of the time it makes communication clearer for most people, including most neurodivergent colleagues. However, turning it into a blanket rule enforced without exception is not inclusion, it’s a different kind of unthinking ritual, just aimed at a newer target. The fix isn’t “cameras always” or “cameras never.” It’s a default that’s on, a genuine, low-friction way to opt out when someone needs to, self-view turned off so nobody’s spending their attention watching themselves instead of the meeting, and a manager who treats “I find video draining, can I keep mine off in standup” as a completely normal sentence rather than a red flag.

Accommodation is something you build in for a person. It is not a reason to quietly abandon a good default for everyone else.

The excuses, sorted into real and rubbish

Not every camera-off moment is a crisis of communication, and I’d rather be straight about which excuses hold up.

Bandwidth is real, occasionally. If someone’s connection genuinely can’t carry video without freezing, that’s an infrastructure problem, not an attitude problem — solve it, or accept audio for that person that day, and move on.

Video fatigue is real, partly. The research on this is fairly consistent that a lot of what people experience as “Zoom fatigue” comes from staring at your own face for an hour, not from being seen by others. Turn off self-view. Keep the meetings that require cameras short and purposeful rather than long and sprawling. The fatigue mostly comes from bad meeting hygiene.

“I’m not presentable” is mostly not a real excuse, and I say that as someone who has taken a fair few calls from a spare room that also functions as a dumping ground for things I haven’t dealt with yet. Nobody needs you photogenic. They need to see your face, not your background (turn blur on, or use a Zoom/Teams/Slack background — who doesn’t love being on a spaceship?)

“I focus better with it off” is the one worth being honest about, because it’s usually true, and it’s usually true for the exact reason cameras exist in the first place: with the camera off, you can answer email, half-listen, and coast through the meeting contributing nothing anyone would notice. That’s not a communication preference. That’s the behaviour the meeting was supposed to prevent, defeating the meeting from the inside.

Making cameras-on a norm, not a rule

None of this works as a memo from HR titled “Camera Policy.” It works as a habit a team builds because a leader models it consistently and treats the exceptions like exceptions rather than the new normal.

  • Model it yourself, every time, especially in one-to-ones and retros — a manager whose own camera is off has no standing to ask anyone else to turn theirs on.
  • Turn off self-view by default, on every call, for everyone — most of the fatigue argument disappears the moment nobody’s watching themselves talk.
  • Reserve the hard default for the meetings where it earns its keep — standup, retro, planning, one-to-ones — and don’t bother fighting about it for large broadcast-style all-hands where nobody’s reading anybody’s face anyway.
  • Make opting out a sentence, not a confession — “camera’s staying off today, bad morning” should land exactly the same as “running two minutes late,” acknowledged and moved past, never interrogated.
  • Notice the pattern, not the individual instance — one camera-off day means nothing. A team member who’s never once been visible in three months is a conversation worth having, gently, in private.

Do that consistently for a quarter and you stop needing to make the argument at all. People can feel the difference between a team that sees each other and one that doesn’t; you rarely have to sell it twice.

Final thought

Cameras-on was never about surveillance, and it was never about looking professional for an audience. It’s the bare minimum of paying attention to another human being while they’re trying to tell you something — sometimes in words, sometimes in the half-second before the words arrive.

We’re spending more of our working lives on video calls, not fewer, and working alongside a wider range of communication styles than any generation of managers before us was trained to read. Both of those facts point the same direction. The case for actually looking at each other gets stronger from here, not weaker.

Go back to that standup from the top of this piece — yours, or one close enough to it. “All good, no blockers” isn’t a lie most of the time it gets said. It’s just a sentence doing a job that was never going to be enough on its own, delivered to a room that’s chosen not to see whoever’s saying it.

Fix the second part. Cameras on.

One last thing, since it’s relevant to how this piece got written at all: I put this together with help from my friend Claude. I don’t profess to be a writer — I use AI to help gather my thoughts into something worth reading. It may be obvious from the writing, it may not. But now you know. :)

Gary Worthington is a software engineer, delivery consultant, and fractional CTO who helps teams move fast, learn faster, and scale when it matters. He writes about modern engineering, product thinking, and helping teams ship things that matter.

Through his consultancy, More Than Monkeys, Gary helps startups and scaleups improve how they build software — from tech strategy and agile delivery to product validation and team development.

Visit morethanmonkeys.co.uk to learn how we can help you build better, faster.

Follow Gary on LinkedIn for practical insights into engineering leadership, agile delivery, and team performance.

Publishing notes (not part of the article body):

  • Subtitle field: Why turning your camera on for standups, retrospectives, and one-to-ones matters more now that facial expression is doing work your words can’t — especially as more of your team is neurodivergent than you realise.
  • Tags (5): Remote Work, Team Communication, Neurodiversity, Agile Coaching, Leadership
  • Hero image brief: Dark navy/purple, flat diagrammatic style, no stock photography. A grid of video-call tiles — most rendered as flat grey silhouette placeholders, one tile lit up showing a simple line-art expressive face — with the More Than Monkeys wordmark small in the footer of the graphic. Alt text: “A grid of video call tiles, mostly blank grey silhouettes, with one tile showing an expressive face lit up against a dark navy background.”